They’re the best Anime that 1998 has to offer! We counts down the best anime to come out this year, including the likes of Spriggan, Doraemon Movie 19: Nobita no Nankai Daibouken, Slayers Gorgeous, and more!
MAL Score: 6.67
Deep in the Ararat Mountains of Turkey, a secret organization known as ARCAM has found what is believed to be Noah’s Ark. However, the U.S. Machine Corps., a rogue organization of the Pentagon, wants to take over the Ark as a means of global supremacy. Only a special ARCAM operative known as a Spriggan stands in their way. Japanese Spriggan Yu Ominae teams up with French Spriggan Jean-Jacques Mondo to combat members of the U.S. Machine Corps. led by Col. MacDougall—a genetically-enhanced boy with deadly psionic powers. However, they must act fast and stop MacDougall before he uses the Ark for his own agenda.
Don’t let that put you off though, there’s still some fun to be had in the form of cool 90’s action!
This is the first, and currently only time I’ve seen Turkey depicted in anime. The crew did an ok job capturing its diverse nature; that of being stuck between Europe and Asia. We see metropolitan Istanbul briefly, and far eastern parts like Diyarbakir in the anime and it looks good.
Well actually, the animation in Spriggan is more than good; its impressive considering it was made in 1998. As expected of Studio 4C. Facial reactions and action scenes are detailed and you find yourself scanning the whole screen to take it all in.
For a moment I thought this anime would be totally realistic but that notion goes out the window with a chase scene in Istanbul which made me grin like an idiot. I swear the main character’s modelled after Jackie Chan. He moves around like a hyperactive monkey, doing back-flips and swinging on cables, its fluid and very dynamic watching him beat people up mercilessly.
Unfortunately that is all the character has going for him. Why did he have to be a 17 year old school kid anyway? Why not just a regular guy in his 20’s or 30’s? The anime doesn’t delve into his dual lifestyle, that of being a school kid one day and ARCAM operative the next, and his extremely brief flashback-assisted back-story is almost like an afterthought. All it does is explain his origin, not shed light on anything in his personality, because he doesn’t have one to begin with! He’s a walking cliché.
So in the end I just see the character as a cynical attempt at appeasing teens. "Hey check this out! Wouldn’t it be cool if a kid just like you was a kick-ass mercenary!?" Not really. Unless he’s getting the shit kicked out of him by a girl called Chidori Kaname, I’m not interested. At least Full Metal Panic gave us a compelling back-story to make the entire story have weight. The action scenes in Spriggan may be unrealistic, but they could have retained some sense of coherency with the narrative, it feels very lazy and my Suspend-Disbelief-O-Meter just wasn’t compatible this time.
I can enjoy an over the top action-fest as much as the next Read or Die fan, but here it’s not fun and it’s not dramatic, and when it finally builds to an ever-increasingly illogical Akira-esque climax with a psychic super powered deformed kid and apocalyptic style crap blowing up, I’m losing even more respect for it to be even contemplating Katsuhiro Otomo’s masterpiece, let alone riffing off of it.
Spriggan feels both old-school with its late 90’s violence; the kind where people and objects are eviscerated with unabashed glee that would make the guys who worked on Ninja Scroll hyperventilate in joy, but the anime also feels ahead of its time because of that attention to detail and unconventional setting. You get the sense that if only the story were much much better, as in: if Studio 4C took a different approach at adapting the manga or just took an entirely different one to adapt in the first place, it would have been nestled comfortably in a list of Top Anime Movies Of The 90’s; next to stuff like Production I.G’s Ghost in the Shell which came out a few years earlier.
The story isn’t even worth mentioning; it’s just a bunch of plot points ticked off one by one. Guy has to go from A to B; objects have to get from Y to Z. Spriggan has to go from ‘plan-to-watch’ to ‘completed’ with a score that means it barely entertained me for the running time and I’ll probably never watch it again. An interesting if disappointing look at Studio 4C’s earlier efforts. They’ve come a long way indeed.
Sounds like the plot for a spy action adventure movie? Correct.
* Hero. Cool, young, Japanese Spriggan Yu Ominae (who actually looks Japanese) with amazing physical martial arts skills and ability to take damage? CHECK
* Sidekick. Cool, sexy French Spriggan Jean-Jacques Mondo who has insane skill with guns? CHECK
* Three to four evil villians, all with special kick ass powers? CHECK
* Plot that takes you all over the world for variety? CHECK
* Spectacular action scenes with blowing up vehicles, hand to hand fights, hand to gun fights, gun to gun fights, artillery fights, flying vehicles, land vehicles, vehicles in desert, vehicles in jungle, vehicles in snow? CHECK
* Extremely well choreographed action scenes with kick ass sound and animation? CHECK!
* Plot that starts getting religiously and philosophical towards the last one third to try to make the movie seem more "deep" than just a regular action packed flick? CHECK!
* Somehow the fate of the world rests in the hands of our hero spy, because the bad guys would really mess stuff up? CHECK!
This is a great action flick if you like these sorts of movies. Because it is animated there is a lot more licence to make the action even better, in live action I bet insurance wouldn’t have covered this! The characters are sort of one dimensional but there’s so much eye candy and other stuff to see one can’t help but be entertained. An action movie of this calibre is like taking all the best scenes of Black Lagoon and compressing it into 90 minutes of adrenaline. Great fun and you’d enjoy this if you like a combination of James Bond, Tomb Raider and Indiana Jones.
Spriggan’s core plot revolves around the mysterious prophecy of a lost civilization and fast forward to the present day, an organization called ARCAM are assigned to stop the prophecy from happening. Our protagonist, Yu Ominae, is Japan’s number 1 elite super soldier who is basically indestructible like a German cockroach. Judging from the traits of said bland “badass” protagonist who can do anything, there is no depth regarding his personalty other than a plot device to move the narrative forward. He can be also described as a character projection for the audience as a cheap attempt to be immersive. The side characters are no better as well; they serve as exposition walkie talkies to explain the plot for the dumbfounded audience who don’t pay attention to the screen. The so called villains are merely nuisances to obstruct the protagonist to pad the run-time. Regarding the plot, there isn’t much happening until the climax of the film. Albeit, the action sequences, though are exciting to look at, there are plot conveniences (Yu being overpowered) and plot holes/logical inconsistencies (who was driving the jeep while Yu was in the turret?) that are distracting enough to ruin the immersion. The dialogue exchanges is half ass and not engaging. Most spurt out the most uninspired lines what can be heard from other action films, TV and so forth. Yu’s one-liners can come off as cringe in today’s standards but the film was from 1998 so it could let itself slide if the dialogue wasn’t low quality.
These are the contrivances that dropped the quality of the film rock bottom. Albeit, the writing wasn’t top tier, what it excels was its use of animation. When the production shows effort, it really shows. The best use of the animation or sakuga are found in fight sequences; the sense of fluidity, exciting and fast fight choreography that is jaw dropping to look at. The art is also impressive; immaculate details in the background and locations that resemble so much like real life counterparts such as Japan and Turkey, two major settings that took place in the film. The weapons are also drawn with immaculate detail as well. The best example of fluidity in motion is the chase sequence in Turkey; ambitious in its shot composition and choreography. It is actually the best thing about the film, that the chase sequence was so exciting, filled with heart pumping adrenaline. The only praise of the movie that is worth mentioning; if not, skip the movie and just watch the chase sequence alone.
Spriggan was a prime example of sacrificing the quality of the writing and characters for the sake of making the movie looking pretty as possible. In other words, it was style over substance. Spriggan failed as a feature length film, several instances where things don’t happen does happen such as explaining the whole plot pads the run-time. If the opposite were to occur, this film would’ve done something differently in terms of quality, it would stand itself as competent film among the greats such as Ghost in the Shell. In retrospect, the film was a dumb fun action thriller done in anime. Spiggan doesn’t offer any merit other than its impressive sakuga to hold up to any other superior media. It’s an anime film with pretty colors (this can be compared to the Fate/Stay Night Unlimited Blade Works in terms of style over substance). Skip this movie for the chase sequence.
4: Doraemon Movie 19: Nobita no Nankai Daibouken
English: Doraemon the Movie: Nobita’s Great Adventure in the South Seas
Japanese: 映画 ドラえもん のび太の南海大冒険
MAL Score: 7.13
Finding a treasure is always been so hard! But, nothing is ever impossible for Doraemon and his magic tool. And so, with the help of Doraemon, Nobita and the rest of the gang set sail on a ship to find treasure on an islands. However on their way to the island, the ships have almost been destroyed and resulting Nobita to stray on an island with a young pirate while Doraemon and the rest of the gang somehow involved in a war between pirates.And so, their adventure begins…
3: Slayers Gorgeous
MAL Score: 7.32
Sorceresses Lina Inverse and Naga the Serpent are enjoying a meal in a villiage when the residents suddenly retreat indoors and two armies – one of men and one of a young girl and a tribe of dragons. Although the ruler of the town originally tries to convince Lina that this is because of a dark legacy, in truth the dragon army is led by his daughter and their battles are over her allowance. Lina agrees to help the ruler while Naga joins his daughter, Marlene.
So, we open with Lina and Naga sitting in a town square, enjoying some tacos, when everyone around them starts panicking and running indoors. They find out why when an armoured girl appears with dragons. Lina fends her and her dragons off only to find out that her father rules the town and they’re fighting over a raise in her allowance. That moment when you realise you suck as a parent. Naturally, both Lina and Naga are brought in on opposite sides for the promise of gold.
The biggest weakness of this film is that it does hit some of the same beats as Great did. That on featured a father and son building golems for opposite lords in a dispute while Lina and Naga took opposite sides. To be fair, the reasons for parent and child fighting were different and the way their dynamic plays out is different, but the basic story lines are pretty similar. Another, more minor gripe is that the imagery accompanying the ending credits has a segment with Lina flipping a coin that’s pretty close to the same as the scene that Great had in its.
The strength this has is that the humour is at a very high level with most of the gags landing very effectively. This film also demonstrates the ability this franchise has to introduce a big threat and have a cool action sequence, but also add in a bunch of comedic elements during the fight that make it tonally fit perfectly. The reveal of the ultimate antagonist is also very cool.
In terms of character, the strength of these films has consistently been Lina and Naga’s dynamic. They’re similar and distinct enough that you can both understand why they keep one another company and why they drive each other crazy. I can really buy them as friends. Hell, I’d buy them as lovers of the “old bickering couple variety” if that had been the route they’d taken. And their dynamic really shines in this film at the point where they’re working in combination and you can see them communicate intentions without saying a word.
The side characters also follow the same pattern as the ones in the last film. They aren’t complex, but they’re quirky enough for some good gags and to make them memorable.
JC Staff has consistently done a great job with the artwork in this franchise. It features some strong visual gags, well designed characters and some really good action sequences. My biggest complaint about the action sequences is that some of the scenes in them are a bit too clichéd. For instance, it has that scene where two opponents run at each other, it pauses for a moment and then you see the result.
Hayashibara Megumi & Kawamura Maria are amazing as ever. The actors for the film exclusive characters give strong performances as well. You can’t really fault Hikami Kyouko, Kamiya Akira, Takiguchi Junpei or anyone else in that regard. The music is pretty great. Hayashibara Megumi’s ending song in this one is Raging Waves, which is fantastic.
There’s still none to be had. Yeah, they could make Lina and Naga work as a couple, but there are no hints of that.
Areas of Improvement:
Vary the film plots more. I get that every writer has a “thing” but it’s going to get a bit tired if we keep seeing parent/ child squabbles as a central plot element.
Lose the action scene clichés. I’m sorry, they just don’t work all that well.
A different ending gag. I get that they vary it slightly, but it’s close enough to the same thing that it doesn’t work all that well when you’ve seen the film before it.
This is a pretty great film and definitely worthy of the franchise. Ultimately, my complaints with it are more minor nitpicks than serious, enjoyment affecting problems. So, I’m going to give it an 8/10. If this franchise is your thing, you’ll enjoy this film. If it’s not, at least look up the song Raging Waves by Hayashibara Megumi.
2: Pokemon Movie 01: Mewtwo no Gyakushuu
English: Pokemon: The First Movie
Japanese: ポケットモンスター ミュウツーの逆襲
MAL Score: 7.63
It was a successful science experiment gone horribly wrong. When a team of scientists discovers the DNA of the ancient Pokémon Mew, they harnessed the potential within it in an attempt to create the ultimate living weapon. With advanced cloning techniques and resources provided to them by Team Rocket crime syndicate leader Giovanni, the scientists succeed in creating the powerful psychic Pokémon, Mewtwo.
Pokemon: Mewtwo no Gyakushuu reveals the terrifying power of Mewtwo as he learns that not only was he created to be an experiment, but also to be a tool for Giovanni’s sinister dealings. Breaking free of his control, Mewtwo creates his own island fortress and reconstructs the cloning technology that gave life to him.
Under the guise of being a master Pokémon trainer, Mewtwo lures the best trainers in the world to his base. Among these trainers are Ash Ketchum, his loyal Pokémon Pikachu, and their friends Brock and Misty. United together, human and Pokémon alike, they must not only discover the hidden secret of Mewtwo’s plans, but stand against his terrifying might. If they fail, Mewtwo’s vengeance will not only lead to tyranny over all the Pokemon, but also the extinction of the human race.
The reason why Ash is always able to win is because he’s friends with his Pokémon. The whole series is an allegory on how you’re supposed to treat your fellow man, using the relationship between Pokémon and their trainers as a parallel for the relationship between human beings.
Mewtwo’s hatred for mankind stems from their lack of compassion – he was basically used. He was given life, and then treated as less-than-life – a tool to be used for human purposes, rather than a living being with a living will and a purpose. He has no purpose of his own, he didn’t know he was, so he lashed out against all of humanity, and against the Pokémon he felt were being used by their masters.
Mew is his foil, as Mew is everything that Mewtwo is, minus the hatred. Mew loves mankind because he knows that they’re just another form of life on the planet. He eliminates the antipathy between humans and Pokémon by realizing that they’re all the same. Pokémon and their trainers can be friends, but can also walk their own paths, just like all humans in real life.
Mewtwo makes his own purpose in life the destruction of life itself, but realizes that isn’t the way things are supposed to be. The reality of friendship “slaps him in the face” as he sees all the Pokémon weeping over the petrification of a human being who only wanted to protect his friends.
Pikachu is the Pokémon embodiment of friendship. The relationship between Ash and Pikachu is the entire central theme of Pokémon: friendship prevails over selfishness. Pikachu’s will is so similar to that of Ash’s that he refuses to fight the other Pikachu (essentially, refuses to fight another living being to prove to the other Pikachu that the fighting is pointless – even Meowth, who’s supposed to be one of the “bad guys” knows better than to fight like that), even as it continues to slap him over and over again.
The most saddening part of the movie as a child was when Pikachu just kept taking the hits without retaliating. As an adult, I understand why that was so heartbreaking: Because that’s the way many people in the world are, just fighting each other to prove that their purpose means anything, instead of just banding together in friendship.
We’ve been so deadened as a society that we think that that is “cheesy,” and “children’s material.” No. Fuck that – I’ve been through the ringer in life, and I can still come back around and see the value in a story like this. It’s a parallel to life, and I believe the creators would be very sad to know that audiences are taking it with a grain of salt instead of realizing the true message behind their work (instead of just writing it off as “kiddie stuff”).
I know that many adults don’t want to hear it, but “kiddie stuff” is codeword for “things that are important in life, but I don’t want to think about them anymore.” You have to think about them. “This is life,” as Nurse Joy herself puts it.
Also, the dub did dumb down some of the deeper parts of the message for American consumption, but that’s America’s own damned fault for thinking that our children can’t handle being exposed to a little bit of truth for an hour and 15 minutes of their lives.
If you’re an adult, and you find yourself calling this movie “stupid,” you should try looking beyond the medium and look to the message. You could find that you’re a bitter Mewtwo, and two stubborn and hurt to see it. The human condition.
Don’t be a Mewtwo. Mew :3
4kids have cut out 15 minutes of the movie, removed part of Mewtwo’s monologue simply because he mentioned ‘God’ and distorted the message movie was trying to give. Mewtwo also wasn’t portrayed as the spawn of Satan in the original version, but a misguided villain. He was given motives and backstory. Mew was subjected to character change as well; in Japanese version, he doesn’t want to start the fight, but certainly thinks of clones as lesser beings.
So, what does this have to do with reviewing the movie? Everything. The point is that unlike the English version, which feels like a relic from the 90s, Japanese one makes a good movie. It isn’t plagued by false moral messages (fighting is wrong anyone?). Mewtwo is a being estranged from love and misunderstands the nature of life, like some kind of a distorted overman. That’s not my pretentiousness. The overtones and philosophical implications are in the dialogue.
Art and animation are great and CGI blends in perfectly. The movie is very dark in general and heavy for its target audience. For a kids cartoon, it’s great. Even an adult can get a small something from it and there are certain symbols and references in its designs everywhere, which should keep adults from getting bored.
STORY – As a kids’ movie for a kids’ show, the themes in Mewtwo Strikes Back are actually quite impressive. The morality of cloning and genetic modification/enhancement is a very real debate that ripples through the scientific community now and again, and it’s interesting to see that idea translated into a Pokemon movie. Thus, as far as its target audience goes, the core plot of this First Movie is definitely doing something uncommon. The arrangement of the story around this central theme is a little more normal as it retains many typical elements from the anime series.
CHARACTERS – Let’s skip over the normal cast of the series because I’m going to assume you already know there isn’t a lot going on there. Now, Mewtwo is a fun character — his monologue presented at the beginning of the movie and the constant destruction he finds himself in is a great way to start the foundations of his character. His feelings are very logical and easy to understand while offering possibilities beyond what’s obvious. His repeated question of "What is my purpose?" highlights the deepest theme of the movie well, and I find it very exciting that the rest of the movie is based around the fact that he creates a purpose for himself, since no one else is able to provide him with one. If you take a step back and go through Mewtwo’s train of thought, it’s really not that riveting or different from what you would expect, but when you remember again that this is a movie directed towards a younger audience, I think the philosophical and moral implications of those kinds of questions and actions is very potent, thus making for a great movie character.
Mew and Mewtwo’s clones pretty much make up the rest of the movie-exclusive characters. The simplicity of Mew was a great foil to the complexity of Mewtwo, though I still wonder if they could have been more clear about Mew’s intentions because certainly she had some. The rest of the clones were rather generic, bending easily to the whims of the movie’s message with no real personality of their own. That’s perfectly forgivable though; after all, kids’ movies need morals.
ARTSTYLE & ANIMATION – Honestly, there wasn’t much notably different from a normal Pokemon episode. Maybe things were animated a bit more smoothly, but other than that, just average.
MUSIC – I’m actually rather fond of most of the music in this movie. It was great that they used the full version of the normal TV introduction (whether in English or Japanese). There are some pretty epic tracks played during Mewtwo’s reign of terror, and many of the movie’s other background tracks are reminiscent of melodies also found in the series. Mew’s innocent little theme also comes to mind as a pretty fun and memorable tune.
VOICE ACTING – I’ve seen this movie in English, Japanese, Cantonese, and Mandarin. I’ll just talk about the first two though, lol. The English dub… well, I’m sure you already have your own opinions about Ash and the gang, but I liked Mewtwo’s voice. It suited him very well. And so did Mew’s! But I guess that really isn’t that impressive. I liked the Japanese better mostly because I like the main cast better. Especially memorable is the opening scene with Ash and his friends, during which he’s challenged to a random Pokemon battle. The Japanese version offers some brilliant Engrish that just can’t be rivaled: "OH MY GODDDDDD!!!"
OVERALL – Pokemon the First Movie is my favorite Pokemon movie (keeping in mind I’ve only seen the first three). Sure, it’s definitely a film aimed for the younger audience, but even for an older audience, as long as you can bring yourself to swallow some of the corny bits, I think it retains a lot of merits. Cloning and genetics is always an interesting subject, anyway.
1: Detective Conan Movie 02: The Fourteenth Target
English: Case Closed: The Fourteenth Target
Japanese: 名探偵コナン １４番目の標的
MAL Score: 7.89
A mysterious attacker has appeared and is assaulting people whose names contain a number from the standard deck of cards in descending order. When Conan Edogawa points out that all the victims are related to the now famous detective Kogorou Mouri, suspicion immediately falls upon the recently released convict Jou Murakami, as Kogorou was the one responsible for his arrest ten years prior.
With potential victims still at risk, Conan and the police are determined to catch the culprit. As the case gradually unfolds, both Conan and his friend Ran Mouri learn more about her parents’ separation and the truth on what transpired a decade ago.
A brilliant story, and the system which the murderer uses in amazing, the story itself is good then too, and the plot isn’t what you think it is. A cool story, with a second story in it, a piece of Mouri and Ran’s past, I gained alot of respect for Mouri through this (and the first) movie. I see this character in a (almost) new light.
Same ol’ characters, just as usual good, we get a look at a piece of Mouri’s and Ran past, which made me see Mouri in a new light, a better light, the new introduced characters, the old villian, the victims and the murderer are great, all are different, yet the same in a way, and without knowing it (most of them) bear a relationship with each other. Magnificent!
It all begins with Ran having a nightmare, where her father shoots her mother. This actually happened, he only grazed her. Now, 10 years later, Ran tries to find out, why did he shoot the kidnapper, if he knows, he could’ve killed his own wife? This is the sidestory for this movie.
The real story is how a murderer takes out (or tries to take out) 13 people which are related to Det.Mouri, by playing a smart death-system via cards and numbers. As soon as injuries become murders, our… police team, Mouri and Conan get angered and try to find out who the murderer is, and why he’s doing it. It all folds together in the end, with most of the (chosen) victims in one place, this is where the mainplot folds out. At the ending of the movie itself, the reasoning from the past (where Mouri shot his wife) comes to place, when it’s happening again, (this time of course with Ran and Conan).
The art’s good, so is the animation, sometimes the animation is really smooth and lovely, sometimes it’s just normal animation. But they did a good job.
this time the story is about attempt at serial killing of 13 people that are related to kogoro mouri. the build up is pretty good although a bit draggy in the beginning but an improvement compared to the first movie
pretty fluid in movement there is no really major improvement when compared to the first movie overall pretty fitting for a movie
yeah.. the standard detective conan music. if you like the music from the tv series you bound to like this one too
thankfully there is more character on this one. frankly its way too eazy to guess the culprit in the first because of how there is only a few character in there, the second have more character and more diverse personalities oh and the character from tv series is coming back.
as usual detective conan is an enjoyable movie if you have nothing to do at home
if you are itching for some detective mystery series then go ahead and watch this one
Sadly an issue this movie has right off the bat is that, in some ways, it’s a bit of a repeat of the first movie. Like, last movie was a series of bombings that had a pattern, and this movie is a series of murders with a pattern. Of course there are some differences, namely that the heroes find out about said pattern very early on, so the cast is moreso trying to prevent the murders while following the pattern.
This movie also introduced one of the most (in)famous memes in the franchise: Hawaii! Yup, every time Shinichi does something crazy, he’ll just hand wave it as him having learnt it in Hawaii by his father. In this movie, it turns out two of the things Yusaku apparently taught him was to use a gun and FLY A HELICOPTER! Like, I can see why he’d like to teach him the former, but what’s the point of even teaching him the latter!?
Another issue with this movie is that it’s final twist of who the culprit is ends up being predictable. Of course it is not gonna be the guy everyone suspects it is, we know that it’s actually gonna be one of the possible victims instead, so what’s even the point? Also, the actual culprit is voiced by Nakao Ryusei, the voice of Freeza. Because of course that would be the case.
Actually, on that note, that’s one of the amusing bits about most of the movies, most of the one off characters will often have some big name actors attached to them. I already mentioned Nakao, but there’s also the late great Suzuoki Hirotaka, Okamoto Maya and the late great Utsumi Kenji.
That said, there are some things that put this above the first movie, even if it technically does more things wrong. For instance, the whole scene in which the cast is stuck in an underwater complex is great, with the feeling of paranoia running through. I also feel this movie does much more service to Kogoro’s character than most of the anime fillers do. The thing about Kogoro is that he walks a very thin line between incompetence and laziness. The manga original stories moreso goes for the latter, as while he’s a good detective (Not as good as, say, Heiji or maybe even Yusaku but still competent) he’s just too lazy to follow more than one line of reasoning. The anime by contrast moreso goes for the latter, being legitimately bad at his job and only gets as far as he goes because Shinichi knocks him out. Here we get a happy balance, being shown as a bit lazy at times, but is still a competent detective in his own right. The movie is also the only Detective Conan related… thing that actually bothers to give an explanation as for why he and Eri are estranged. Oh yeah, this is also Eri’s movie debut!
Then there’s the climax. If you thought the last movie’s climax of the last movie was intense, well, this movie has the cast escaping an exploding underwater complex, then a hostage situation at the top of a collapsing building and THEN trying to get the now injured hostage into a helicopter. Yeah, I think we know which movie has the better climax.
So like the last movie, I really enjoyed this one. It had more issues, sure, but I feel that it also does a lot more right than the last one. Definitely another movie that’s easy to recommend.
Final Score: 8/10
Did YOUR favorite anime make the cut? Let us know in the comments below!
1. Detective Conan Movie 02: The Fourteenth Target
2. Pokemon Movie 01: Mewtwo no Gyakushuu
3. Slayers Gorgeous
4. Doraemon Movie 19: Nobita no Nankai Daibouken