They’re the best Anime that 2001 has to offer! We counts down the best anime to come out this year, including the likes of Gensoumaden Saiyuuki Movie: Requiem – Erabarezaru Mono e no Chinkonka, Metropolis, InuYasha Movie 1: Toki wo Koeru Omoi, and more!
5: Gensoumaden Saiyuuki Movie: Requiem – Erabarezaru Mono e no Chinkonka
English: Saiyuki: Requiem
Japanese: 劇場版 幻想魔伝最遊記 Requiem 選ばれざる者への鎮魂歌
MAL Score: 7.35
The gang is traveling along when they find a girl in need. Of course, they all can’t resist going after her. This girl isn’t all that she seems… her motive or her “humanity”…. and soon the whole gang has Sanzo’s past on their hands and one certain young boy who can keep a grudge for decades…
The story. I thought it was interesting in how the villian was in someway connected to Genjyo Sanzo and gang. Although the story could’ve probably been made into a 3 part episode (it also would’ve made a great filler).
The art. Compared to the first Saiyuki series, the movie’s art is AMAZING. Crisp lineart, vibrant and dark colors, and Gojyo’s hair is actually RED (compared to the first two seasons, in which his hair was some odd tint of purple or pink)
The sound. The music fit most of the scenes, and the voiceacting (in both the dub and sub) were phemominal. It saddens me that it was ADV Film’s last job for Saiyuki, but at least they went out with a bang.
The characters. The Sanzo Ikkoku are just as memorable as they are in the show. The villian and herione of the movie were wonderful. Although it hurts me that Kougaiji’s gang wasn’t able to catch up with Sanzo, though they do help explain the story of the herione.
I really enjoyed this movie to bits and pieces (but that’s because I am ahuge fan of Saiyuki), but like I said earlier, even non-fans would enjoy this feature. You don’t need to see the series before you see the movie, but it does help. It’s even better when you listen to the commentary.
Overall, Saiyuki: Requiem is a joy to see. I just hope that this won’t be the only Saiyuki movie to be released. 😀
Keep in mind that I do this review as only a user who found this movie out of curiosity and not as a big fan of saiyuki
The film in general is good only that it does not stand out to say that it overcomes the adaptation since you are practically seeing the same thing but longer and with better animation.
In this movie we meet one of the many villains who want to kill the protogonists, only this one in particular knows Sanzou and indirectly Gokuu, Hakkai and Gojou and in short the villain wants to be like them to have Sanzou’s approval by adding the pattern of It would be serious when they add a girl (they know her, very little is known about her past and she ends up dying)
In general the movie is good but the ending leaves a lot to say for the duration of the movie I expected something good or remarkable but it was not the case if you are new to this anime (like me) this movie may be to your liking and I recommend it if you have nothing to do
MAL Score: 7.53
In the great city of Metropolis, severe community structures and prejudice dominate a world where humans and robots live together. Unrest and violence increase with each new day.
Searching for the scientist Dr. Laughton, suspected to violate human rights by trading organs, the Japanese detective Shunsaku Ban and his nephew Kenichi arrive at Metropolis. In the scientist’s laboratory, Kenichi discovers a girl without any memory of her past life. He decides to help her, so they run away together. His uncle follows him and penetrates the dark secrets of the city to find Duke Red, the man ruling from the shadows. Meanwhile, Kenichi desperately tries to protect the mysterious girl from the people hunting her. However, Duke Red and his adoptive son have their own deep reasons for chasing the girl. These reasons are connected to her true identity and the struggle for the domination of Metropolis…
Metropolis is…a manga written in 1949 by Osamu Tezuka. Its similarities to the original film are pretty limited, mainly because Tezuka hadn’t even seen the film when he wrote the manga. He’d only seen a single picture in a magazine and thought it looked pretty rad.
Metropolis is…an anime movie from 2001 that’s loosely based on Tezuka’s manga, but also tries to bring in some plot elements from the original movie. It had an all-star team on it, such as Rintaro the director, one of my all time favourite anime folks Katsuhiro Otomo doing the scripts, and the production being done at Madhouse.
Metropolis is…not very good.
I feel a bit awkward not liking Metropolis, because there’s a hell of a lot of things to like about it. For one, it’s fucking gorgeous. Incredible detail has gone into each background drawing and there is rarely a shot where characters aren’t moving. Even background characters are doing little things like picking up bottles and throwing coins and puffing cigars. It seems weird to highlight something like this, but when you spend all your time watching the usual cost-cutting techniques of anime produced for television, it really stands out here. The music is fantastic too. It’s very blues orientated, which ties into the seedy underworld feel the lower levels of this heavily class-based world have.
The movie clearly has an actual point to the story too. It’s about class warfare and how the lowest levels of society will rise up eventually. It’s particularly striking how the rebellion starts with the second class citizens throwing their little fight, but the real rebellion is right at the end when the robots all rise up under their ‘charismatic’ leader. Tie this is with government corruption and how the desires of those in power, as heartfelt and real those feelings might be, can lead to the destruction of their city. There’s some pretty obvious allusions to the Tower of Babel too and the danger of trying to become like a god. In other words, this movie is not like the other 2000-era movie with Katsuhiro Otomo on board, Steamboy. With Steamboy, all the pretty visuals in the world couldn’t hide that the story was a total damp squib with dumb idealism and pathetic characters mwahaha go my biased views go. With Metropolis, there’s clearly an artistic vision here and a story with proper depth.
So why am I not feeling all that hyped about Metropolis? This might be a bit harder to explain.
You know that thing I was praising earlier on in this review? How characters would always be moving, including the background characters? How detailed the background art was? The movie also seemed to realise how great it was at this and leant on it too much. You get a lot of scenes of one character walking, another character walking with him, the second character looking back and slowing down, then jogging to catch back up with the character they were walking with. There’s lots of scenes of characters walking through the streets, or robots doing busywork, or fat Tezuka designs smoking cigars. It’s all set-dressing to develop the world, but most of it is redundant. When I say ‘a lot of scenes’, I really mean it. At least half of the first hour of the movie was spent on these shots of ‘world-building’. They get very boring very fast, which also serves to give the movie a painfully slow plodding pace.
The story is told almost entirely through symbolism and representative actions, which I generally like. That’s how I normally feel a story should be told. Thing is, this leaves the characters with rather little to say, but speak they do anyway. This leaves them with nothing of interest to say beyond idle chit chat, which leads me to the obvious conclusion that every single one is a boring person. Occasionally they might say something of interest that ties into the overall themes of the movie, but because the animation has been diligently working that point constantly, it’s again pretty redundant stuff. Combine these non-characters with a story that takes forever to move anywhere and has very little of excitement occurring and you get what makes Metropolis such a drag.
I knew writing this review would be difficult. Reading back over the last 2 paragraphs now, a lot of the things I appear to be complaining about are aspects of other anime I love. The whole thing about characters not being people but merely ideals slotted into the story might as well be a line from a review of Madoka Magica. Letting the visuals tell the story and leaving the characters to just blabber on about whatever could be a line from a review of FLCL. So what is it that this movie is missing? Some kind of X factor? Some oomph to get me invested?
Perhaps the best course of action might be to look at the end of the movie and see what it did right. For all the plodding most of the movie did, the end really ramps up and provides some of the most striking imagery I’ve seen in any anime. Absolutely jaw-dropping, end-of-the-world events centring on what had previously been this figure of purity and idealism warp into a mutant-baby-from-Akira monstrosity, but still had parts of its original face intact to make the shock turn even more grotesque and eerie. That scene had oomph, but it also wouldn’t have worked if the proceeding 90 minutes of rather boring studge hadn’t existed to build up the themes in the first place. It’s one of those cases where some reviewers would claim you require ‘patience’, which is a nice way of saying that the piece suffers from an inability to make its world-building and set up interesting to watch and only becomes interesting once Shit Starts Getting Real.
When Shit Starts Getting Real in Metropolis, it’s an exhilarating experience that brings together the narrative arcs of several plot threads in one satisfying conclusion. It’s a shame that they couldn’t make the entire rest of the movie interesting rather than relying on high production values and hoping that alone will keep you entertained.
The narrative opens in the titular Metropolis with a celebration for the opening of the new Ziggurat. Our protagonists are the private investigator, Shunsaku Ban and his nephew, Kenichi. They’ve traveled to Metropolis to find and arrest a Doctor guilty of harvesting human organs. Little do ther realise that he’s working with the great aristocrat, Duke Red, to create a specialised robot for a specific purpose. They find the doctor’s laboratory burning and Kenichi gets separated from his uncle and stuck in a lower part of the city with the robot, Tima.
The story doesn’t have a bad premise, even though it’s not the one from the original silent film or even close to it. But it quickly becomes riddled with problems. A big one is the romance they have between Tima and Kenichi. It’s incredibly weak with the two characters showing no chemistry nor sharing any substantial moments. They meet and they’re amicable towards each other so it must be love, I guess. The biggest one is probably Duke Red’s ultimate scheme. It reads like a bad silver age comic plot, but without the glorious cheesiness that made silver age comics entertaining. Instead, the film plays it completely seriously. The pacing is all over the place, with some scenes dragging and others getting rushed through.
The characters are severely under-developed. Most of them fill a basic archetypal role and never move beyond that. Which is a real problem when they try to get you to sympathise with them. Something bad happened to that guy with three or four lines? Yeah, if you don’t flesh out your characters, we aren’t going to care. The big exceptions are the characters with even less personality. Tima moves well below under-developed and is just very flat and primarily serves the purpose of being obsessive about Kenichi with little if any personality or motivation beyond him. Yes, the 1927 film was somehow more progressive in terms of gender portrayals than the 2001 one. There are other characters like that, mostly ones who appear in only a few scenes, though. Tima is the only major character with that particular problem.
The artwork is by far the best part of the film. The characters are done in a kind of retro design style reminiscent of other anime based on Tezuka’s work. Which does work very well given the source material. The backgrounds are magnificent. The futuristic tech is really cool looking, although some of it seems like it was deliberately designed around looking cool while being grossly impractical. The fire fighting equipment in particular involves a bunch of small parts that all have to converge and fuse into the main device. It does look cool, but it makes the world seem kind of stupid.
The voice acting is mostly pretty competent. The actors all do their work well enough. The big exception is Imoto Yuka who can’t be asked to emote and gives a very monotone performance. It may be a matter of direction, but I haven’t heard her in anything else, this film was the only acting credit I could find for her, so it’s possible that the direction was fine and she was just bad. The music is really good.
There really isn’t any in this. 1/10.
This movie is not good but I would hesitate to call it ungood. Visually, it’s a real treat. The music is good and the acting is, mostly, okay. That being said, it has a lot of problems. The story is weak. The characters are bland at best. It’s a film that’s flashy but lacking in any real substance. You might want to give it a watch if you’re really into high quality animation and sci-fi, but if you’re going to want a compelling narrative with interesting characters you’ll want to skip it. As such, I can’t recommend it for most people. Although you should definitely watch the silent film that it’s very loosely based on. My final rating is going to be a 4/10. Tomorrow, we’ll leap to something else. Possibly involving time travel.
The character development in Metropolis was appealing. The characters brought the movie alive; they are all one of a kind. Each of them had their own unique looks, styles, and distinctive personalities.
Metropolis is best known for its beautiful CGI; complete eye candy. The character animation didn’t blend in that well with the other CGI structures, but the strange daring mixture pulled me more into the movie.
I’ve seen Metropolis only in English dialogue, which I thought was great. Each of the voice actors portrayed the characters very well. The soundtrack to Metropolis was amazing. I really loved the music through out the movie, especially the ending song.
I would recommend watching Metropolis; it is a true delight.
3: InuYasha Movie 1: Toki wo Koeru Omoi
English: InuYasha the Movie: Affections Touching Across Time
Japanese: 犬夜叉 時代を越える想い
MAL Score: 7.56
Inu-Yasha has mastered the ultimate attack of the Tetsusaiga and continues his battle for the Shikon Jewel shards with Kagome, Shippo, Sango, and Miroku. Unfortunately, a freak occurance with a jewel shard has brought to life an incarnation of a demonic enemy sealed by Inu-Yashas’ father. Inu-Yasha must surpass his father and destroy this demon or every soul in Japan will be consumed.
the first inuyasha movie, affections touching across time, quite the piece of work it is. the story line to it had the same sort of feeling that any of the other inuyasha movies had and the show as well. filled with fighting, jokes, romance, and the characters that only this series can provide. having their original voice actors and music that can be linked to that of the show, it wins in the department of having that “inuyasha” feel to it. it doesn’t quite fit in the time sequence of the show, it sort of serves as a side story. i wouldn’t recommend this if you haven’t seen any of the show or at least read the manga because then it wouldn’t make sense. though it is the first movie out of four, it relies on the viewer having some knowledge of the inuyasha world but for a fan, it’s great to see. the characters are still just how they always were in the show, lovable and memorable in my point of view. the only thing i have to complain about in this movie is the art. the art for inuyasha in the anime was beautiful, it wasn’t flashy or quite as modern but i fell in love with it. the art is different in this movie from the original though at times it looked like it tried to revert. it IS different but it doesn’t get in the way too much though i would have liked to see the original beauty.
all and all as an inuyasha fan, i found it to be an enjoyable movie that i would most definitely watch over again 😀
The plot is absolutely astounding and the villain continues to make me cringe every time I see him lift up a leaf to his lips. He’s a villainous demon I just love to hate.
I can understand what the produces were trying to do, but the movie didn’t make alot of sense. I think it was because it didn’t flow that well. It was like one minute kagome was all possesed and the next minute she passed out, out of nowhere. I was starting to lose interest, so i skipped some of it because it was getting boring.
The art in this movie was pretty horrble. I guess it’s because im used to the art in the inuyasha series, that it looked a little weird to me. For example- In the inuyasha series sesshomaru’s face is not that long. In this movie however,sesshomaru’s face looke really long and narrow. And his ears in this movie were pointier. Im not sure if it was just me but Kagome’s eyes looked bigger and browner than usual. I guess I expected the art to be better since this movie came out after the Inuyasha series started.
As usual, the sound & characters were as good as always. The characters still kept their distinct personalities.
I did enjoy the movie if you took away the agravating art and the boring & unflowing parts. Overall, i liked the movie even though it could of been produced better.
2: Detective Conan Movie 05: Countdown to Heaven
English: Case Closed Movie 5: Countdown to Heaven
Japanese: 名探偵コナン 天国へのカウントダウン
MAL Score: 8.12
Conan Edogawa, the Detective Boys, and Professor Hiroshi Agasa decide to visit the Nishitamashi Twin Towers. There they run into Ran Mouri; her closest friend, Sonoko Suzuki, and Ran’s father, the famous Kogorou Mouri. Learning the trio are attending the towers’ grand opening, Conan and company tag along for a private tour of its floors.
However, as preparations are finalized for the opening ceremony, their visit takes an unexpected turn—three brutal murders occur, seemingly linked to a mysterious Porsche 356A. Soon after, as Conan and the detectives dive deeper into the case, the towers are rocked by an explosion. With fire rapidly spreading and lives in danger, police desperately seek to evacuate everyone. But when the elevator, their only means to escape goes down, Conan and company are left behind. With help on its way, they frantically try to keep everyone safe, but time is running out if they want to bring the perpetrators to justice.
One might think that the idea or inspiration for this movie came from the 911 attacks, however, this is not so, the same way as Lord of the Rings, The Two Towers had no relation. This was released in April of that same year, so it was months before the attack happened.
Why the comparison to the attacks? Well, because for one thing there are a few simularities and second, one might feel a bit of nolstalgia from this movie, a good kind, as… well, the thing about detective mysteries, it is very rare that the detective gets to die, so you know that there is a happy ending, which is nice in comparision to the 911 attacks.
It had beautiful art work in this. I loved for example, the design for the two towers, and I also liked the paintings of the painter. There are other things I liked about the art, but hey… that would kind of give spoilers for the movie.
This one didn’t have much varience from the typical Detective Conan score, not from what I could see.
How to go about this without spoiling things. I have to say that the murder in this happened to have such a beautiful, dramatic reasoning behind it, but murder is still murder. It was one that I have to say I definatly liked.
I loved how Sonako is rather concerned with her looks, but when isn’t she? I also liked how quite a few of the canon characters, expessully Ran and Conan get their kicks of heroics. Sherry is as always, her pesimistic self.
I am seriously trying to think of things to say that doesn’t give away the plotline here. The new characters almost have no character development along the way, until the very end. So that is a problem.
My enjoyment was high, but I related this to the 911 tradgedy. And it wasn’t like it was, oh… they based this on 911, but I did wonder and go research that small detail there. I had to say that I was rather impressed with the action scenes too. I can’t tell much as for this one it would give away the plot line… and for murder mystery, that can be a bad thing.
For this movie, I would say that a lot of people might like it, but there are going to be a few people who don’t, might call it clique. Some people might go and say that it is based of 911 and they are trying to make money off of it, much like someone did with the Two Towers Movie for Lord of the Rings.
I also wonder if this is going to be brought over here, or if they might skip bringing the movie over here. Or if they will release the third and forth movies in time, they will be able to release this in time for the tenth anaversary of 911, which to me would be cool, but for some people, they might not like it.
But why do I think so?
There are a plethora of reasons! The animation, the storyline, the dramatic and the score… I just got into it so fast and I can’t get away…
Of course, the animation might be a bit outdated, because this movies goes back to the very beginning of the last decade; however, it’s still wonderful to watch it! The Animation and the score, side by side, work wonderfully together! And that’s why there’s room for the story – it allows to improve itself even without much dialouge!
I did enjoy (and I still do so) the characters and their background stories – which is for a conan movie always quite important!
So, I just can say: go and watch it!
My first reason is that this movie is bursting to the brim with great moments from the main cast. Conan, Ran, Kogoro, the Detective Boys, & Haibara all get their moment to shine in the spotlight. The moments with these characters are so charming and fun that it’s able to carry the audience through parts of the movie some would consider to be boring without. That’s not to say that the story sucks. In my opinion, it’s a very-well told story with several twists and turns that keeps the audience engaged all the way to a satisfying conclusion. I think everyone can agree that everything that happens in the third part of the film has some of the best moments in the whole series(save for maybe Haibara’s quick lesson about physics). If I had only one nit-pick about this film is that it is too dark. That is, a lot of scenes in the latter third are shrouded in darkness, making several scenes, including those epic ones, feel significantly less epic. If this movie received a visual update, it could easily become a strong competitor for my favorite Detective Conan movie.
If you are still deciding if you should see Countdown to Heaven, then put those doubts aside and go see it! While it may not have aged well in the art style, don’t let that put you off from enjoying this fun and classic movie that showcases the best that Detective Conan has to offer.
1: Sen to Chihiro no Kamikakushi
English: Spirited Away
MAL Score: 8.80
Stubborn, spoiled, and na?ve, 10-year-old Chihiro Ogino is less than pleased when she and her parents discover an abandoned amusement park on the way to their new house. Cautiously venturing inside, she realizes that there is more to this place than meets the eye, as strange things begin to happen once dusk falls. Ghostly apparitions and food that turns her parents into pigs are just the start—Chihiro has unwittingly crossed over into the spirit world. Now trapped, she must summon the courage to live and work amongst spirits, with the help of the enigmatic Haku and the cast of unique characters she meets along the way.
Vivid and intriguing, Sen to Chihiro no Kamikakushi tells the story of Chihiro’s journey through an unfamiliar world as she strives to save her parents and return home.
Still, I watched it again and, for some reason, I got it the second time around. Spirited Away isn’t meant to be anything grand, with all the bells and whistles. It has a quiet, subdued way of telling a simple story about a simple girl in a very strange world. Instead of expecting something huge, just sit back, watch, and appreciate the world and story Miyazaki has finely crafted for us all to enjoy.
To get to the technical aspects…
The art is, of course, amazing. The colours are rich and the animation is fluid. When Chihiro and her family first walk into the spirit world, you can practically feel the breeze as you watch it whisk through the grass. The lights of the spirit world at night are breathtaking. And watching the train ride closer to the end of the movie, coupled with the amazing music score (the track is called "The Sixth Station"), remains one of my most favourite animation sequences out of anything I’ve seen. Which brings me to another point: the music.
I will get this out of the way first – Joe Hisaishi is one of my favourite composers. His music style is very simple, but he makes every note count. Most of his music is quite subdued in nature and takes a careful ear to notice when your eyes are being captivated by what’s going on in the screen, but do take notice if you have the chance. Or search on YouTube for videos of his live performances. His music is a joy to listen to. Like with Spirited Away, Hisaishi’s music lacks all the "bells and whistles" per se, but it’s beauty lies in its simplicity. Hisaishi has not failed here in Spirited Away.
I dearly loved the characters. One of the best parts of this movie, for me, was that it lacked any clear good or evil characters. Everyone has a bit of both, though perhaps some allow the evil sides of them to come out a bit more obviously than others. In this way, it’s very realistic. Granted, the characters were all quite predictable and Chihiro grated on my nerves at times, but overall, I enjoyed each and every one of the characters Miyazaki has create here.
Overall, Spirited Away is one of my favourite movies and will always be a treasured item in my small DVD collection. It requires some patience to get through since it’s not packed with action or drama, but it’s a nice fairy tale to watch and enjoy.
I enjoyed this very much. You will experience all kind of different feelings watching this; fear, love, warmth..etc
I first watched this film 5 years ago during my senior year in high school when a friend of mine was raving about it. Back then I found the film to be boring and feature a paper thin plot. Now 5 years later and a few hundred anime titles later I was compelled to review this. However, since it was 5 years since I viewed the film, I decided to re-watch Spirited Away in preparation for this review as my memory is a bit foggy. After watching it again, I discovered 2 things about Spirited Away. I now know why I forgotten many of the events, thus needed to re-watch it and my perspective about the film really hasn’t changed.
Spirited Away begins with Chihiro’s family moving to their new home. Like any normal 10 years old girl she is quite sadden and angry about leaving her old life (hell anyone would feel this way). Chihiro’s father makes a wrong turn somewhere and decides to take a short cut through the forest. Ok, perfectly normal but what gets me is when they see an abandon building they decided to go in and explore. Next, they go, “oh look food that’s sitting out with no-one around” let eat. The events leading up to Chihiro getting trapped in the fantasy world are way too plot devicy for my taste. However, this isn’t my main complaint about the film, it’s just that the rest is so shallow I can’t really analyze it with much depth. The rest of the story can be summarized by Chihiro get a jobs, does a job, returns something, get freed and goes home. In fact, I’m quite dumfounded as to how they created a 2 hour movie with this plot line.
Although, perhaps I’m being too critical with the story and story structure that Spirited Away takes. What I think Spirited Away tries to do is create a magical world in which the viewer can escape to. It tries to take us on an adventure to somewhere very different. That is does, studio Ghibli creates a worlds that is both imaginative and beautiful. I could go on and on about the world but words wouldn’t do it justice. However, something is very wrong when the only major praise I can give is about the fantasy world that is created. They spend way too much time creating and focusing on this world. When I analyze a few scenes I realize how drawn out Spirited Away makes each scene. They could have easily cut 30-40 minutes and have a more focused story. This is how they were able to stretch such a thin plot out for 2 hours.
When reviewing anime I put the most weight on the plot and characters. I’ve already talked about how thin and weak the plot is in the above paragraphs. Sadly the characters don’t fare too much better. Chihiro does grow over the course of the movie and in the end she is a bit stronger and can now face new challenges (i.e. new school, neighborhood, etc). After going through what she went through, I don’t think a new school will faze her. However, there really isn’t much to Chihiro’s character, she’s simply a random girl that happens to go on an inadvertent adventure and becomes a little bit stronger in the end. She feels a bit like an empty shell for the audience to live through. In general, the characterization for the movie feels a bit weak, I mean do we really know these characters? If that’s all there is to these characters, then I have no choice but to conclude that most of them are extremely flat.
Ok now on to the easy part of this review, the technical aspects. It should be no surprise that the animation and art is top notch. This is studio Ghibli and Spirited Away is also a movie so there should be no excuses when it comes to animation. The environments are beautiful and quite vibrant. Characters designs are extremely consistent but I don’t like the designs that Studio Ghibli uses. Not really a negative, just a personal preference. Music, really works to create and accent the magical world of Spirited Away. However, the music is nothing too note worthy, above average I guess. In contrast, the voice work, this is a meh for me in both the English and Japanese, nothing really outstanding or bad. However, there really wasn’t anything in the movie that would require the VAs to show their talent.
As with any Miyazaki films there are themes of environmentalism along with others in particular, greed. Thankfully, these themes and ideas never become the focus or become too blatant. Also, I have to add another audience that Spirited Away may have been targeted to. That would be nostalgic Japanese adults that long for a more traditional setting away from the modern world. In that respects it does a great job however, I’m neither a child nor a Japanese adult disillusioned with the modern world. So it should be no surprise that I’m not very fond of this film, as none of the positives really appeal to me. Those would be the imaginative/magical or nostalgic world of Spirited Away.
Spirited Away is an imaginative and magical world that child will most likely enjoy. In addition, its nostalgic feel will appeal to some Japanese adults. However, it also features a paper thin plot as well as weak characterization. Spirited Away is a nice watch if you want to get away for 2 hours and turn off your brain but it is ultimately shallow and forgettable. Even now after watching it a few hours ago I’m having a hard time remembering the details.
Did YOUR favorite anime make the cut? Let us know in the comments below!
1. Sen to Chihiro no Kamikakushi
2. Detective Conan Movie 05: Countdown to Heaven
3. InuYasha Movie 1: Toki wo Koeru Omoi
5. Gensoumaden Saiyuuki Movie: Requiem – Erabarezaru Mono e no Chinkonka